By George Field

This e-book used to be digitized and reprinted from the collections of the collage of California Libraries. It was once made out of electronic photos created throughout the libraries’ mass digitization efforts. The electronic pictures have been wiped clean and ready for printing via automatic techniques. regardless of the cleansing approach, occasional flaws should still be current that have been a part of the unique paintings itself, or brought in the course of digitization. This publication and thousands of others are available on-line within the HathiTrust electronic Library at

Show description

Read Online or Download A grammar of colouring applied to decorative painting and the arts PDF

Similar grammar books

Non-Transformational Syntax: Formal and Explicit Models of Grammar

This authoritative creation explores the 4 major non-transformational syntactic frameworks: Head-driven word constitution Grammar, Lexical-Functional Grammar, Categorial Grammar, and easier Syntax. It additionally considers a variety of matters that come up in reference to those techniques, together with questions about processing and acquisition.

Event Structures in Linguistic Form and Interpretation

This quantity addresses the matter of ways language expresses conceptual info on occasion buildings and the way such details might be reconstructed within the interpretation procedure. The papers current very important new insights into contemporary semantic and syntactic learn at the subject. the quantity offers with the next difficulties intimately: occasion constitution and syntactic development, occasion constitution and amendment, occasion constitution and plurality, occasion constitution and temporal relation, occasion constitution and scenario element, and occasion constitution and language ontology.

Constraints and Preferences

The principal subject of this assortment is the epistemological prestige of constraints and personal tastes in linguistics. The contributions concentration normally on phonology; one article bargains explicitly with morphology. The techniques to phonology represented within the quantity are these of average Phonology, executive Phonology, Optimality conception, autosegemental phonology, and computational phonology.

Additional info for A grammar of colouring applied to decorative painting and the arts

Sample text

52 CHAPTER XL BLUE. THE third and last of the primary or simple colours is which bears the same relation to shade that yellow does to light hence it is the most retiring and diffusive of all colours, except purple and black and all colours have the power of throwing it back in painting, in blue, ; ; greater or less degree, in proportion to the intimacy of their relations to light ; first white, then yellow, orange, red, &c. Blue alone possesses entirely the quality technically called coldness in colouring, and it communicates this property variously to all other colours with which it be compounded.

These two attributes of God, manifest in the creation of the world and the regeneration of men, OF THE PRIMARY COLOURS YELLOW. 27 it is accordingly a faint hues called Straw-colour, &c. most advancing colour, of great power in reflecting Compounded with the primary red, it constilight. , and other warm colours. ; it It is the ruling colour of the tertiary citrine ; manner the endless variety of the characterizes in like semi-neutral colours called brown, and enters largely complex colours denominated buff, bay, tawny, into the tan, dun, drab, chestnut, roan, sorrel, hazel, auburn, Yellow is naturally associated with red in transient and prismatic colours, and they comport themselves with similar affinity and Isabella, fawn, feuillemorte, &c.

TERRA DI SIENNA, OR RAW SIENNA, Is also a ferruginous* native pigment, and appears to be an iron ore, which may be considered as a crude natural yellow lake, firm in substance, of a glossy fracIt is in many respects ture, and very absorbent. of rather an impure yellow but has more colour, body and transparency than the a valuable pigment, ochres ; and being little liable to change by the action of either light, time, or impure air, it may be safely used according to its powers, either in oil or water, and modes of practice.

Download PDF sample

Rated 4.64 of 5 – based on 38 votes