By Louise McNally, Christopher Kennedy
During this quantity top researchers current new paintings at the semantics and pragmatics of adjectives and adverbs, and their interfaces with syntax. Its matters comprise the semantics of gradability; the connection among adjectival scales and verbal element; the connection among that means and the positions of adjectives and adverbs in nominal and verbal projections; and the fine-grained semantics of other subclasses of adverbs and adverbs. Its ambitions are to supply a accomplished imaginative and prescient of the linguistically major structural and interpretive homes of adjectives and adverbs, to focus on the similarities among those different types, and to sign the significance of a cautious and specified integration of lexical and compositional semantics. The editors open the booklet with an outline of present study prior to introducing and contextualizing the rest chapters. The paintings is aimed toward students and complex scholars of syntax, semantics, formal pragmatics, and discourse. it's going to additionally attract researchers in philosophy, psycholinguistics, and language acquisition attracted to the syntax and semantics of adjectives and adverbs.
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Extra resources for Adjectives and Adverbs: Syntax, Semantics, and Discourse (Oxford Studies in Theoretical Linguistics)
Cinque (1994) suggests that these orders can be captured in terms of a layered functional structure in the DP: diﬀerent layers of nominal structure correspond to the attachment sites of diﬀerent categories of adjective. Scott (2002) and Laenzlinger (2005) expand on Cinque’s hierarchy of nominal functional projections with this aim in mind. At the same time, expansions of DP-internal functional structure have been undertaken on independent grounds, for example by Vangsnes (1999); Zamparelli (2000); Rijkhoﬀ (2002); Borer (2005a); Julien (2005) and others.
Bonami and Godard’s analysis thus seeks to maintain a simpler natural language ontology and greater uniformity in the lexical semantics of adverbs by placing some of the burden of explanation for the behavior of adverbs on an arguably independently necessary model of dialogue. The volume closes with Gina Taranto’s contribution, “Discourse adjectives,” a study of the natural class of adjectives that includes apparent, clear, evident, and obvious. Taranto presents the distinctive syntactic and semantic characteristics of this class and proceeds to an analysis whose goal is to account for their apparent factivity and to explain the peculiar way in which these adjectives contribute informatively to discourse.
It remains to be investigated what drives this movement, but it might be triggered by a requirement for N–Dem adjacency. 2), there are reasons to think that movement has occurred. The relative position of Adjectives with respect to the Art–Pl–N hierarchy is the most diﬃcult question. Clearly, most adjectives are lower than Art; rare cases of gradable descriptive adjectives higher than articles clearly involve movement (as in how big a house, with the wh-operator how). I will return to the question of the relative order of adjectives and plural markers, but for now will assume that adjectives are ordinarily below the plural.